Selected Projects
Meanwhile, the mise-en-scène
August 5 – September 5, 2026
Meanwhile, the mise-en-scène is a six-person exhibition curated by Weifan Mo and Xumeng Zhang. In this group exhibition, the six artists—Eileen Feng, Pan Inkhoo, Athena Parella, Jordan Sears, Da Wang, and Wendy Wei—employ painting as a medium to enact an almost cinematic recounting of urban space. Whether confronting sprawling external vistas or intimate domestic interiors, the artists maintain a deliberate, tension-laden estrangement that transcends the scenarios they depict.
Unbridled: Horsin’ Around
February 4 – March 14, 2026
Unbridled: Horsin’ Around is a salon-style group exhibition celebrating the Year of the Horse. This show brings together artists from diverse cultural backgrounds, visual languages, and historical sensibilities, all orbiting around a single, unruly figure: the horse. Participating artists include Sarah Avolio, Emma Beatrez, Patrick Bower, Alice Brasser, Cam Champ, Leru Chen, Yishi Chen, Liane Chu, Ana Cristina, Miguel Escobar, Tim Gardner, Till Gerhard, Priya N. Green, Ho Jae Kim, Dene Leigh, Guanguan Li, Xu Li, Xing Li, Xi Li, Iris Yehong Mao, Cici McMonigle, Sarah Alice Moran, Nicolina Morra, Dylan Rose Rheingold, Alan Skalaski, Antonio Vidal, Zhizi Wu, Zexu Wu, Zan Wang, Wendy Wei, Darcy Whent, Hugo Winder-Lind, Timon Yc I, Leonard Yang, and Theresia Zhang. Curated by Xumeng Zhang. Neither purely symbolic nor merely representational, the horse appears here as a migratory image, one that has galloped across myth, labor, warfare, leisure, cinema, and the modern imagination. This exhibition embraces abundance, adjacency, and visual excess, allowing meanings to proliferate rather than stabilize.
The Line That Forgot Its Name
June 5 – June 23, 2026
The Line That Forgot Its Name unfolds around the resilience of the “line” as a trace, examining how it expands as a bodily structure. For Fanyu Lin, painting has never been a simple process of image-making generated through the extension of lines across a flat surface, but rather a method of organizing perception, emotion, and spatial relationships. The line, for her, carries both the trace of writing and the bodily weight embedded within painterly gesture. Through continuous repetition, layering, and extension, this movement gradually departs from language’s original function and meaning, turning instead toward a more open formal condition.
Thermocline
February 27 – March 12, 2026
The group exhibition Thermocline, curated by Xumeng Zhang, brings together works by Patrick Chuka, Xuemeng Li, Chong Liu, Jichen Lu, Yena Seo-Yeon Park, Studio Plume, I Chin Sung, and Yurong Xiao. Coming from diverse cultural backgrounds and distinct creative contexts, eight artists work across multiple media and visual languages, yet collectively engage with a condition that resists singular definition and defies immediate naming.
Full Projects
2026
Meanwhile, the mise-en-scène, LATITUDE Gallery, New York
The Line that Forgots Its Name, Gallery 456, New York
What We Brought, FLOHAUS Gallery, New York
Private Weather, LATITUDE Gallery, New York
Thermocline, Current States, Los Angeles
Unbridled: Horsin’ Around, LATITUDE Gallery, New York
The Narrative of Annual Ring, Right Museum, Shanghai
2025
No Place Like Home, LATITUDE Gallery, New York
Flowing Ramble, Right Museum, Shanghai
Back to Paradise, 600’s Gallery, Shanghai
Xiaomin Wang: Small Painting Big World, The Peninsula Hotel Gallery, Beijing
Tiny Emotion Cosmos, 600’s Gallery, Shanghai
2024
Shadow, 600’s Gallery, Shanghai
Accept Imperfect, 600’s Gallery, Shanghai
Love, Food and Life, 600’s Gallery, Shanghai
